- NOCTURNAL ANIMALS ENDING DEATH MOVIE
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Their messy breakup turns them into completely different people than who they thought they were - just really well done storytelling. It's a brilliant callback to when Susan claims that she's a pragmatic and cynical realist, while Edward is the hopeless romantic with his head in the clouds. I loved the contrast of the world of the novel, which felt grimy, raw and real, and Susan's "real" world, which had this strange artificial, fake vibe to it.
"Enjoyable" is probably the wrong word because it's a thoroughly unnerving and bleak experience but it really was quite powerful. Really found it to be an excellent piece of cinema.
But Jake Gylenhaal, Amy Adams and Michael Shannon = must watch.
Didn't really know much about it other than the fact that it was one of those "story within a story" narratives. Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.Man, this one is definitely gonna stick with me for a while. “Again, when you came to the DI, we have grain, we have contrast, but yet when we want to open up the negative and create a paler side, the latitude is there for the earlier scenes in her house.” “I found that film and film cameras are more robust and able to deal with the vagaries of temperature and conditions,” McGarvey said.
NOCTURNAL ANIMALS ENDING DEATH PLUS
“And a lot of it was shot at night and we were blessed with a crisp, early fall.”īut to film the challenging car chase at night, they used three BB lights on trucks plus a large light on a 20-foot construction crane, but framing lights out of view and shooting in both directions. “Film allowed us to play with leaping forward into the over-saturated desert, using the codes of a Western or color noir ,” said McGarvey.
NOCTURNAL ANIMALS ENDING DEATH MOVIE
The internalized movie within the movie plays like a disturbing horror thriller: Driving across a lonely stretch of West Texas one night, a man (played by Gyllenhaal) and his family are abducted by a gang of rednecks (led by Aaron Taylor-Johnson). “And then as she starts reading this manuscript by her ex-husband, we wanted to gradually weave in almost as though she were under surveillance in her house, but using the horror movie tropes of half-framed images of her,” McGarvey said.
NOCTURNAL ANIMALS ENDING DEATH SERIES
There’s minimal camera movement and she’s often framed within a series of frames. That gave us a lot of scope and leaps of faith and playing with imagery.”Īdams’ world contains an anemic aspect and the cinematographer starts out with very symmetrical frames for the environment, contrasted with edgy, peripheral frames for her character. “It had to have a cinematic feel but a psychological one too. “This film is about an imagined story inside Amy’s head. “It reminded me of the way Joe Wright works, which is very precise in terms of the color preparation,” McGarvey said. There was a crispness to it.”Īmy Adams, “Nocturnal Animals” Focus Featuresįor Tom Ford’s festival hit, “Nocturnal Animals” (November 18 from Focus Features), starring Amy Adams as an alienated LA gallery owner trapped between the past and present, McGarvey used the same camera for a different aesthetic result.
We shot at a deeper stop for expanded depth of field. “We removed clutter and color and there were no errant elements. “The start has a spare, unadorned frame - blankness - in keeping with the character’s orderly life,” McGarvey said.
NOCTURNAL ANIMALS ENDING DEATH FULL
The movie is smart, sensitive and full of kinetic action, and McGarvey provides a naturalistic flair. In “The Accountant,” directed by Gavin O’Connor (“Jane Got a Gun”), Ben Affleck plays a mathematical savant and crack hitman who cooks the books for crime organizations and functions like a quasi-superhero. “Film gives you the flexibility to go into any direction, which was important for these two films, which are very different,” McGarvey told IndieWire. Two-time Oscar-nominated cinematographer Seamus McGarvey (“Anna Karenina” and “Atonement”) - no stranger to shooting on 35mm film - was thrilled to shoot his two latest movies, “ The Accountant” and “ Nocturnal Animals,” on his preferred format for both aesthetic and practical reasons.
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